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Robots and Vampires:

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The Standard Tech Case Files: The Dead and The Damned

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Power Outage

America has been exceptionally stupid this week, so I thought we’d go back to a time when America was substantially less stupid.

And hey, last episode of Static!

Yeah, this is still the worst theme song.

As someone with a messy, ADHD sister, this exchange is deeply funny to me.

Written by John Semper, Jr.

Story by Alan Burnett and John Semper Jr.

Directed by Chuck Drost

I don’t think Ritchie did so well on his test

Since when does Ritchie have a girlfriend? Like, ignoring the fact that he’s gay and they covered it up…

Ah, the superpowers are wearing off? Yeah, that’ll last.

That’s unethical, dosing people without their consent. Or knowledge.

Yeah, a lot of people would have come to accept or even prefer their new powers/forms. Just taking that away from them would be hugely immoral. So par for the course for the Americans.

You’re running out of juice, Hotstreak

Yep, that would be worse.

He kind of looks like Dormammu

Hope you got insurance, Static

And that’s that.

Static created by Dwayne McDuffie, Derek T. Dingle, Denys Cowan and Michael Davis.

Animated by Dongwoo Animation

Artistic Efforts

Hello all you happy people! Just sharing some of my artistic progress today.

Assorted Thoughts On Digimon, Pokémon And Bloodlines 2

Hello all you happy people! Josh Stoodley back with another post. This time, I wanted to share with you my thoughts on the new games that came out this October: Digimon Story Time Stranger, Pokémon Legends A-Z, and Vampire: The Masquerade-Bloodlines 2. Some of these games are controversial, but worry not! I’m not here to start a fight. I just thought you guys might be interested in some of my thoughts on the subjects.

First, some housekeeping though. As long time followers of this blog know, my first attempt at Dragon City fell through. The art was bad, but worse I had no plan for how I was going to develop that story or even what the issues would be! So I’m pleased to announce that Dragon City is getting a second chance. This time, I’m actually going to plan it out, all the way through, and thus avoid getting stuck with nowhere to go after the second page. Like last time.

As I’ve talked about before, The Standard Tech Case Files is also getting a reboot of sorts. I’m also going to turn it into a webcomic, and it should update at the same time as Dragon City. That’s two webcomics for the price of one, you lucky saps! The goal will be to update once a week at first. As my art gets better, I will update more often.

Which brings me to point three: my art. It has improved massively over the last couple of years, as long time followers of this blog will notice. I hope you all appreciated the art dump last week! There will be more of that coming, too. The current plan is to post pin-ups, concept art, and other goodies once a week as well. These will be for paying supporters only, either on the main blog or on my Patreon. This will include concept art for Legends of Faerie: Infernia, as well.

Which yes, I am still working on. I will have an update on my progress for Legends of Faerie next week. I’m pretty excited; my coding skills are still somewhat lacklustre but I think I’ve got a solid base and a good tutorial to work from. The plan thus far is to assemble the basic gameplay loop, then outline the story and work on the art. I don’t want to run into the same problem Bloodlines 2 ran into, which I’m pretty sure was partly because HSL outlined the story first without making sure they could, you know, actually make the game they were planning to make.

This is a common Chris Avellone problem, and guess who one of the writers of the HSL version of the game was?

Speaking of…

Bloodlines 2: A Much Better Game Than It Has Any Right To Be

Let’s get the elephant out of the room right away: Vampire: The Masquerade-Bloodlines 2 had one of the worst dev cycles I have ever seen for a video game. When Paradox Interactive bought White Wolf from CCP, most of us were naively excited. CCP was a piss poor manager of White Wolf, doing little to nothing with the company or the broader IPs. The only bright side to that whole era was Onyx Path Publishing, which was mostly independent and publishing the excellent Chronicles of Darkness line.

So, Paradox had to be better right? I mean, surely they wouldn’t waste our time with a dead on arrival MMO, right?

Well…

PDX’s stewardship of White Wolf has been mixed at best. They abandoned the Chronicles of Darkness, the World of Darkness’s (generally superior) successor in favour of blatant nostalgia bait in the form of V: 20th Anniversary and, later on, 5th edition of Vampire: The Masquerade. V20 wasn’t so bad, being written by the experienced pros of Onyx Path Publishing and we could generally assume it was a one-off.

V5, on the other hand, had a disastrous launch. Faced with innumerable controversies that had nothing to do with game mechanics, PDX made the understandable if irritating decision to shut down White Wolf as an independent entity and fold it in to PDX proper. Then they would license out the IP, but not to Onyx Path. That decision would bite them in the ass later, something we will talk about in a different post.

Around this time, Hardsuit Labs jumps in with a pitch for Bloodlines 2. I’m going to be generous and assume everyone here was very naive, because a small time developer with no RPG experience pitching an RPG on spec is a ludicrously bad decision. And, to what it should have been no one’s surprise, the game was delayed. And delayed. And then Hardsuit Labs was fired because, lo and behold, they couldn’t make the game work.

PDX, at that point, was about to cancel the game. It probably would have been the right decision. But, as if the universe wanted to proof insanity was a universal trait, another developer with limited experience in developing RPG’s jumped in: The Chinese Room! Which is, um, an interesting name for a western company.

Anyway, it kind of worked? Bloodlines 2 is an odd game. On the one hand, it’s a game that goes from strength to strength… but that’s cause TCR cut the game down to the bone. There’s a tiny, tiny handful of side quests, which is good because the main story should be the main draw of the game but also? Like, there’s nothing there. It’s the bare minimum of side content to fill a run-time (or whatever the game equivalent is). Don’t get me wrong, I much prefer side quests to be relegated to the sides as much as possible but… this feels a bit too far in that direction.

Combat is much, much better than the first game or Elder Scrolls. Which isn’t saying much: first person melee combat is cursed. But I was pleasantly surprised. I want to compare it to Cyberpunk’s combat, but we run into the same problem as with the side quests: the melee combat is way better than Cyberpunk’s, which is good because there’s almost no ranged combat whatsoever. Cyberpunk definitely has more options, even if the those options don’t ever work quite right.

Fabien is a much, much better partner and character than Johnny Silverhand. He just is. Johnny is a walking, talking, sack of bullshit who never shuts up, takes over the story and whom you never get the personal pleasure of killing with your barehands. Fabien, on the other hand, is a delightfully insane Malkavian detective who enhances the story without ever taking the focus away from its main character.

The current reviews are decidedly mixed and yeah? Like I said, it’s kind of a weird game, and given it’s dev cycle ‘mixed’ was better than we could have hoped for.

Pokémon Legends Z-A: Not My Cup Of Tea, But Generally An Improvement Over Arceus

All right, lets start this off right away: I am not an action game fan. As I get older, the more I prefer the sedate, predictable pace of good, old-fashioned turn-based combat. It’s why I love Pokémon (and Digimon Story) and why I’m stuck on Donkey Kong Bananza.

Which is sort of a problem when it comes to Pokémon Legends, whose entire selling point is that it’s an action-y version of Pokémon. For the most part, this is fine. However, during the battles with the Rogue Mega Pokémon, it becomes a major pain in the butt. Enemy Pokémon can and will target you, which gets mighty frustrating when you die and all your Pokémon are still at full health. It feels like you have no control over the battle, which is the last thing you want your players to feel,

Of course, people who are better at action games will have an easier time of it. Some people will probably even find the combat too easy, which is baffling to me but there you have it. Though I do agree that the enemy trainers are too easy. They really should have a full team by mid game, both because the current trainer battles are too short and also because it would really help train your Pokémon up.

Of the three games I’m going to discuss today, Legends definitely has the best and most character customization. Both Bloodlines 2 and Time Stranger have better character customization than their predecessors, but that’s not hard. In Bloodlines 1, appearances were completely clan-locked and ranged from accurate to the tabletop to the epically inappropriate (ah, pimp coat and Dr. Seuss hat, I miss you). Cyber Sleuth, on the other hand, was pretty much limited to different t-shirts. Legends Z-A, on the other hand, has a wide range of outfits you can buy, including actual trench coats! Along with a decent variety of hair styles, makeup and eye shapes. Money is easier to come by than in Arceus, too.

In general, Legends Z-A is just a bit better than Arceus. It’s not complete break the same way Arceus was, more of a refinement of the concept. The map is smaller, more focused and more condensed. Money is easier to come by and there’s no. fucking. crafting. Character customization is better, as we discussed, fast travel is better and while the café’s don’t make up for the loss of ScarVi’s picnics, at least it’s easier to increase your Pokémon’s affection than in Arceus. Alphas remain a pain the ass and that is one place where the smaller, more focused map works against Legends Z-A: Alphas are much harder to dodge or escape than in Arceus. And like I said, they target you, which is a might frustrating.

Overall, the game runs much better than ScarVi did, which just contributes to my thesis that you shouldn’t develop games during a pandemic. That’s a big part of what bit Bloodlines 2 in the ass too.

Overall, I prefer the more traditional Pokémon titles. But I can see why people might like the Legends sub-series better, too. I haven’t beaten the story yet (Mega Barbaracle is currently using me as a punching bag) but I’m enjoying it so far. It’s kind of nice and low-key, but with some bittersweet moments. Mostly involving Az himself.

Digimon Story: Time Stranger: Holy Shit, What An Upgrade

I saved the best for last. For a quick bit of context, I had fallen out of the Digimon fandom for probably a decade or more when I suddenly got the urge to check if somebody had remastered the original Digimon World. This was back in 2018 or so. To my immense surprise, I discovered Digimon World: Next Order. Not a remake or a remaster of the first Digimon game, but a whole new sequel.

I was once more down the digital rabbit whole, so to speak. Further searching turned up Digimon Story: Cyber Sleuth, a game much more like a traditional JRPG. I was hooked. I have the original PS4 version on my PS4 and the Complete Edition on my Switch. It remains one of my favourite games.

However, Cyber Sleuth has a lot of flaws. The lack of English audio, for one. I can’t speak Japanese, despite my best efforts on Duolingo, so the Japanese audio track is just distracting. It’s also one of the grindiest games I’ve ever played. You have to grind to catch Digimon, you then have to grind to level them up, then you have to de-digivolve them and start all over again to get the Digimon you want.

Hoo boy.

Time Stranger fixes all of that. The grind isn’t gone (and it’s still substantially more grindy than Pokémon, a notoriously grindy series), but it is substantially reduced. You can raise all your Digimon at once (though Digimon in reserve and the box gain substantially less exp and they don’t gain bond), the number of enemy spawns is greatly increased (and fixed on the open world, meaning no more random encounters!), scan rates are greatly increased and all you have to do is get a Digimon’s stats up to a certain level to digivolve them, making getting the mons you want much faster.

Also, this game was shelved during Covid, which helped. Games that were developed during Covid generally had… problems (hi, Cyberpunk) while Time Stranger runs beautifully. The art is a major upgrade too.

The story is epic and heartbreaking, but also kind of annoying. Digimon has this deeply irritating cliche where, after all is said and done, the Digimon and their humans are separated. And, you guessed it, Time Stranger does the exact same thing. For all the problems Adventure 02’s epilogue had, and it had a lot, the idea of Digimon and humans coexisting was a much better one than the world getting reset at the end of every game or season.

There is one fatal flaw in the game however: you cannot romance Inori. It is… extremely frustrating, especially as the game does nothing but ship tease the two of you. Also the female agent looks like a freaking bellhop and it bugs me, it bugs me like nothing else.

See you next week, guys.

Art Dump

Hello all you happy people! The last couple months have been insane, so I haven’t been working on writing or art much.

But I thought I’d share with you some of the stuff I have been working on. And next week, I’ll give you my thoughts on Digimon: Time Stranger, Pokemon Legends: Z-A and Vampire The Masquerade Bloodlines 2!

Hellfire Concept Art

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Kidnapped

Don’t you think he would if he could, Static?

America delenda est. Russia delenda est. The People’s Republic of China delenda est.

America: Proud Inventor of the Drone Surveillance State

Gah I hate this theme song. Almost done.

Written by John Semper Jr.

Clearly, Alva didn’t learn from Ferris Boyle’s mistake

Directed by Vic Dal Chele

Typical bad guy. Even when he tries to do right he makes it worse.

Whenever this show needs generic bad guys, it’s these two lunkheads.

Way to keep your priorities straight, Static.

Sharon’s voice is really grating.

Smartest bad guy in Dakota

Word of advice: if you kidnap somebody, don’t show your face!

How does a private company have artillery?

Metropolis lending out their police choppers I see.

That’s a hilariously big disk

How does becoming the internet give you levitation?

Okay, missiles aren’t on open networks!

Neither are most cars.

Static has a good dad

Static created by Dwayne McDuffie, Derek T. Dingle, Denys Cowan and Michael Davis.

Animated by Dong Yang Animation Co. Ltd, and Koko Enterprises Co. Ltd

Wet and Wild

Well, that’s an interesting thing to name an episode of a kid’s show.

America delenda est. Russia delenda est. The People’s Republic of China delenda est.

Written by Len Uhley

So that’s where Pixar stole the idea from!

Directed by Mark J. Howard

Guys, if you’re girlfriend is threatening you, it’s time to leave that relationship. Vice versa for women too, of course.

Static’s face is a rectangle.

Okay, but you did threaten him Aqua Maria. I’d bail too.

Ok, these guys aren’t Cadmus and they’re not STAR Labs. Who are they?

I would not trust an experimental cure run by private scientists, personally.

Hotstreak, why are you coming back for this girl? She’s a hyper-jealous violent criminal! Which also describes you, I guess, but man. If your s/o is threatening you, it’s time to frigging leave!

Static, you’re a jerk

You know, if I were a Hydro-Man knockoff, Static would be the last person I’d want to fight.

Poor Aquaman

Lust makes you stupid, clearly.

Ok, you kinda deserved that Hotstreak.

No, you cannot hack into a city’s water and power station.

Kaboom.

Static created by Dwayne McDuffie, Derek T. Dingle, Denys Cowan and Michael Davis.

Animated by Dongwoo Animation Co. LTD.

James Gunn’s Superman: Some Thoughts

Hello all you happy people! I saw Superman last night and I thought I would share some thoughts with you this fine Sunday.

Spoilers abound, so read carefully!

First off, we finally have a comic book accurate Lex Luthor on the silver screen. And I don’t just mean he’s proper bald now. Gene Hackman’s take is funny, but he’s not Lex. And the less said about Jesse Eisenberg in any context the better.

Lex has had three major interpretations in comic books over the years. In the Golden Age, Lex was a straight-up arms dealer, selling weapons to every faction for a quick buck. In the Silver and Bronze Ages, Lex was a mad scientist, concocting ever more absurd inventions to defeat Superman. In the Iron Age, Lex had settled into his current model of corrupt businessman.

Lex as portrayed by Nicholas Hoult, is a combination of all three major interpretations. He’s an arms dealer, a mad scientist (cloning Superman, creating a pocket universe, creating the Engineer) and a deeply corrupt businessman.

Which does bring us to his creations: the Engineer and Ultraman. Both are under-served in the story. The Engineer gets it a little better, as she can actually talk, but she’s pretty much there for cool action scenes. Ultraman gets it much worse, as he doesn’t resemble any of his comic book inspirations beyond evil counterpart to Superman. He’s lacking Bizarro’s strange speech patterns, opposite way of thinking and weird appearance, but Ultraman is also lacking… well, everything from comic!Ultraman. He’s not from another universe, can’t talk, and is less evil than just a programmed attack dog.

David Corenswet is an excellent Superman and he has good chemistry with Rachel Brosnahan. Though the fact that Ms. Brosnahan is six months younger than me and Corenswet is almost four years younger than me is… weird. Very, very weird.

The fact that they got an actual Jewish guy to play Superman is great, too. I like the fact that Gunn and Corenswet went with the dorky, ‘aw, shucks’ interpretation too, of both Clark and Superman.

Rachel Brosnahan is excellent as Lois, and there’s just not really a lot to comment on there.

Wendell Pierce is perfectly cast as Perry White, which is why it’s such a shame he’s so underutilized here. That’s actually a recurring problem for this movie: it’s crowded. It’s really crowded and not everybody gets a chance to shine.

Hey, Jimmy’s a redhead again! Shame his arc is kind of creepy. Not a fan of what they did to Tessmacher.

I have some problems with the Boravian conflict. First off, it’s an obvious send up of the Russia-Ukraine War (along with possibly the Armenian-Azerbaijan Conflict), with a dictator who speaks in a heavy Eastern European accent, looks like a skinny version of Belarus’s dictator and has the offensively Eastern European name Vasil Ghurkos. A lot of Americans are taking this as commentary on Israel-Palestine (which reignited after the movie went into production) but that’s because Americans are both anti-Semitic and Islamophobic and just want to jerk off to dead brown people on screen.

Fucking Yankee bastards anyway. One of you assholes tried to firebomb my dad’s work last night because you are 340 million fascist loving, hyper jingoist, murderous cowards.

My problem with the Boravian conflict isn’t that it’s an obvious, ham-handed piss-take of Putin. The guy needs to be mocked all the way to his grave, dirty Nazi-lover anyway. No, the problem is why would the American government give a damn if Superman stepped in to stop Boravia? Superman is a deniable asset: he’s a private and extremely powerful citizen with no connection to the US government.

The American government, in the real world (and assuming Trump isn’t in control) would likely shake their fingers at him, deny they had anything to do with his actions and quietly smirk at Boravia behind their glasses of cheap bourbon. I can understand why American citizens would be pissed: Superman had just denied them one of their favourite forms of entertainment, watching brown people get murdered.

This gets to a core problem with Superman: the version of America he represents is not, in any way shape or form the America we have to deal with. The United States of America that exists in the real world is all too often is the America of Donald Trump: a cowardly, arrogant bully with strong fascist leanings that likes to beat up little countries to make themselves feel better.

In many ways, Lex is a truer representation of America than Superman ever could be. Granted, the US isn’t always pure evil, but the difference between Americans at the best (arrogant bullies with hearts that are sort of in the right place) and America-as-represented-by-Superman is… jarring. To say the least.

I still can’t get over the fact that the put the loser Green Lantern in the movie! I mean, Guy Gardner’s been a walking punch bag, both in comics and the real world, since at least the ’80s! And they gave him his terrible bowl cut too. It’s hilarious that they put Guy of all people in the movie but hey. Maybe it was to avoid comparisons with Green Lantern (2011)?

For fans of Hawkgirl from Justice League (Timmverse)… yeah, she’s kind of wasted here. Technically it’s a different Hawkgirl, but that doesn’t really make it better.

The falafel guy getting murdered to motivate Superman was bullshit. In character bullshit for Lex, but still bullshit. Really not helping with the accusation that Americans just like watching brown folk dying.

Speaking of bullshit, making Jor-El and Lara villains is not cool. It just isn’t. I don’t care what the justification is, it’s something I hope gets retconned in future films. Also, man, when it comes to Gunn’s Batman I really hope they don’t make Thomas and Martha Wayne bad guys.

In general, aside from Lois, this film kind of drops the ball when it comes to female characters. We’ve already discussed Hawkgirl and touched on Tessmacher briefly. I get that creepy ex-girlfriends exist, but one you only have one fully developed female character in the film it comes off kind of sexist. Ma Kent was okay, though I’m not entirely keen on the technologically blind elders angle they had for her. Phones have been around for a long time at this point, it’s a stretch to find anyone who doesn’t know how to use one. Especially in the frigging United States of America.

Aaaand then there’s Supergirl. Sigh. Look, Kara’s getting her own movie next year so we’ll have to see how this goes. But a drunken party girl isn’t Kara. I’m really, really freaking tired of people butchering Kara’s character ever since they killed her off in Crisis (I’m going to have a long rant about how Crisis was bullshit too, one of these days) and this is just the latest in a long line of butchery. I will grant you that this much better characterization than, say, that stupid stint with the Red Lanterns or whatever the hell was going on in Ezra Miller’s Flash but yeah. Still not a fan. We’ll see how this shakes out in a year.

Krypto was amazing. As a dog sitter, I’ve sat a lot of dogs like Krypto. At least I can send those kinds of dogs home and ask their parents not to come back; poor Superman is stuck with Krypto. Worse, as Krypto isn’t technically Superman’s dog, Superman can’t even train Krypto to be better!

Obviously, my sympathies are all with Clark. Nevertheless, watching Krypto kick ass was a lot of fun, especially when he humiliated Lex.

Mr. Terrific was pretty great in the film too. He’s a pretty deep cut, so I was surprised to see him here, but he made for a good stand-in plot-wise for Batman (Or Tony Stark if this were an Avengers movie) while still being his own character. Watching him talk shit about Lex and his mad science was great too.

Happy Canada Day!

America sucks.

We fought for our freedom in 1812, and again in 1867 against American terrorism and attempted assimilation.

We are the true north, strong and free.

We must not give the Americans an inch. Not as they plan to murder 14.5 million people across the globe, not as they plan to murder hundreds of thousands of their own people by passing this ‘Big Beautiful Bill’.

Vive le Canada! Vive le Canada libre!

Hellfire Concept Art

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